มิกเซอร์ ยี่ห้อ Allen & Heath รุ่น GS-R24

GS-R24 combines refined analogue quality with a choice of analogue or Firewire / ADAT interface modules and MIDI control for your chosen Digital Audio Workstation or recording device. Designed to sit at the heart of a busy project studio, GS-R24 has the flexibility and audio excellence to enhance the impact of your recordings, whatever your workflow.

A version with motorised faders, GS-R24M, is also available. GS-R24M is identical to GS-R24 in all other respects.

The original concept for the GS-R24 was for a larger version of the ZED-R16 with similar routing philosophy, high quality pre-amps and EQ. Interaction with recording musicians and engineers has resulted in many new features being added a full width meterbridge for example, optional interface cards and more flexibility in workflow setup. The GS-R24 is the culmination of many things: exceptional analogue design, super-flexible usability, control and integration with digital workstations, and with an easily removed interface card it can be future-proofed against fast-moving technology, helping it to gain the status of a true modern classic

GS-R24 benefits from Allen & Heath’s ultimate pre-amp design to date. Wide bandwidth, super linear, extremely low noise and precisely controllable – the mono channel pre-amps are open, transparent and accurate. Two thermionic valve pre-amp channels can be used where classic 2nd harmonic warmth can be added or if mild overdriven tones are required without harsh clipping

The GS-R24 adapts to the way you like to work. Routing switches for the interface allow the signal sent to the DAW to be sourced either directly from the pre-amp or taken from after the EQ and DAW return (or track return) buttons switch the signal from the DAW into the channel at either the pre-insert point or post EQ. Using these routing switches the GS-R24 can be set up to send a non-EQ’d signal straight from the pre-amp (also using the pre-amp signal as a source for the auxes), providing zero latency monitoring. Alternatively, the record send can be EQ’d with the DAW track switched to the fader – a similar configuration to a traditional “inline” channel path providing a monitor mix on faders sourced from the equivalent of the tape machine replay head. Or the DAW can play straight into the insert point and EQ for equalisation during mixdown.

FEATURE

• 24 mic/line input pre-amps
• 24 channels of 4 band EQ with fully parametric mids
• Choice of Analogue or Firewire / ADAT interface modules*
• 2 dual stereo inputs with EQ
• 2 additional valve inputs
• 6 auxes
• 4 subgroups
• Main Stereo + Mono bus
• PFL, AFL + Solo in Place
• MIDI control
• 5.1 surround monitoring
• Integral meterbridge
• RPS15 external linear power supply*